Charlotte Schulz

Charlotte Schulz

  • Drawings
    • Interactions
      2020-2022
    • Voyage
      2019-2020
    • Groundlessness
      2017-2018
    • Territory of Significance
      2015-2016
    • Incursion of Otherness
      2013-2014
    • The Impossibility of Keeping Borders
      2011-2012
    • The Uneven Intensities of Duration
      2008-2010
    • Forgiving of an Inexactness
      2007
    • An Insufficiency in our Screens
      2005-2006
    • The Maximum of All Possible Hate
      2004-2005
    • Inside the Monad
      2003-2004
    • Early Drawings
      1999-2002
  • Paintings
    • 2012-2020
  • Sketchbook
    • 2007-2014
    • 1995-2006
  • Statement
  • Resume
  • Biography
  • Exhibitions
    • An Insufficiency in our Screens 2007-2008
    • Installation: Object Lesson
      2005-2006
  • Bibliography
  • Contact
The maximum of all possible hate is realized in the eternal moment, and we cleave to our screens as it unfolds in that disquieting way (an incompossible).
2005
charcoal on paper
7’5” x 9’5”